{"id":338,"date":"2023-01-11T22:12:44","date_gmt":"2023-01-11T22:12:44","guid":{"rendered":"https:\/\/komischeoperamrhein.de\/?page_id=338"},"modified":"2023-01-17T23:09:42","modified_gmt":"2023-01-17T23:09:42","slug":"il-barbiere-di-siviglia","status":"publish","type":"page","link":"https:\/\/komischeoperamrhein.de\/en\/produktionen\/il-barbiere-di-siviglia\/","title":{"rendered":"The Barber of Seville"},"content":{"rendered":"
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The Barber of Seville <\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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A multitude of technicians, five opera singers, one pianist, one producer\u2026 and a hairdresser: \"Il Barbiere Di Siviglia - The Barber of Seville\"!<\/p>

A large-scale project. Rossini's opera \"The Barber of Seville\" as a film!<\/span><\/p>

It is neither a traditional opera, nor is it a musical. We use the medium of film to convey the emotions of the opera as if we were watching it live at the theatres.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Cast<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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<\/div>\n\t\t\t\t\t\t\t
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\"figaro\"<\/figure>

F\u00edgaro<\/h3>

Michael Terada<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\"rosina\"<\/figure>

Rosina <\/h3>

Elsa Garc\u00eda-Tarraga<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\"Almaviva\"<\/figure>

Count Almaviva <\/h3>

Lukas Schmidt<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\"kafka\"<\/figure>

Kafka <\/h3>

R\u00fcdiger Fabry <\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\"\"<\/figure>

Maestro<\/h3>

Pablo G. Vico<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\"bartolo\"<\/figure>

Bartolo <\/h3>

Tim-Lukas Reuter <\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\"\"<\/figure>

Basilio <\/h3>

Christopher J\u00e4hnig <\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Crew<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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  • Film Directed by: Celia Ruiz Artacho<\/li>\n \t
  • Opera Staged by: Mario Tom\u00e1s L\u00f3pez<\/li>\n \t
  • Music directed by: Pablo G. Vico<\/li>\n \t
  • Co-directed by: Yolanda Orozco<\/li>\n \t
  • Screenplay by: Mario L\u00f3pez & Elsa Garc\u00eda T\u00e1rraga<\/li>\n \t
  • Narrator: Tom Zahner<\/li>\n \t
  • Extras: Miguel Vall\u00e9s & Stefan Salgert<\/li>\n \t
  • Camera Operator: Alexander Pauckner<\/li>\n \t
  • 1st AC: Yannick Obry<\/li>\n \t
  • 2nd AC: Clara Keilbach<\/li>\n \t
  • Costume, hair & make up assistant: Anna Tena<\/li>\n \t
  • Gaffer: Lars Elliger<\/li>\n \t
  • Best Boy: Marcus Brux<\/li>\n \t
  • Lighting technicians: Jesko Friedrichs;\u00a0 Sophia Gamboa;\u00a0 Lukas Zoschke; Kim Hausner; Malte Liebertz; Jonas Thibaut<\/li>\n \t
  • Set decorator & Photographer: Anna Tena<\/li>\n \t
  • Catering: Chinzo<\/li>\n \t
  • Edition: Celia Ruiz Artacho<\/li>\n \t
  • Colorist: Noel Lardon, Alexander Pauckner<\/li>\n \t
  • Dialog Editor: Raphael Kohler<\/li>\n \t
  • Mixing Engineer: Raphael Kohler<\/li>\n \t
  • Sound Engineer: Anna Jungfer<\/li>\n \t
  • Sound Engineer\/ Boom operator: Simon H\u00fcging<\/li>\n \t
  • Production Manager: Esther Conze<\/li>\n<\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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    \n\t\t\t\t\tThere are many ways <\/span>\n\t\t\t\t\n\t\t\t\t\tto tell an Opera.<\/span>\n\t\t\t\t<\/span>\n\t\t\t\t<\/h3>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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    Il Barbiere di Siviglia Eine Handvoll Techniker, f\u00fcnf S\u00e4nger, ein Pianist, ein Produzent, eine Einstellung und ein Fris\u00f6r: „Il Barbiere di Siviglia – Der Barbier von Sevilla“! Ein umfangreiches Projekt.\u00a0 Rossinis Oper „Der Barbier von Sevilla“ als Film! Es ist weder ein Opernfilm noch ein Musikfilm, es ist Theater im Theater. Wir verwenden das Medium […]<\/p>\n","protected":false},"author":1,"featured_media":80,"parent":77,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_canvas","meta":{"footnotes":""},"class_list":["post-338","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/komischeoperamrhein.de\/en\/wp-json\/wp\/v2\/pages\/338","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/komischeoperamrhein.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/komischeoperamrhein.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/komischeoperamrhein.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/komischeoperamrhein.de\/en\/wp-json\/wp\/v2\/comments?post=338"}],"version-history":[{"count":29,"href":"https:\/\/komischeoperamrhein.de\/en\/wp-json\/wp\/v2\/pages\/338\/revisions"}],"predecessor-version":[{"id":830,"href":"https:\/\/komischeoperamrhein.de\/en\/wp-json\/wp\/v2\/pages\/338\/revisions\/830"}],"up":[{"embeddable":true,"href":"https:\/\/komischeoperamrhein.de\/en\/wp-json\/wp\/v2\/pages\/77"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/komischeoperamrhein.de\/en\/wp-json\/wp\/v2\/media\/80"}],"wp:attachment":[{"href":"https:\/\/komischeoperamrhein.de\/en\/wp-json\/wp\/v2\/media?parent=338"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}